Behind The Scenes: Redder Moon

“The innovation point is the pivotal moment when talented and motivated people seek the opportunity to act on their ideas and dreams.” — W. Arthur Porter

Redder Moon , the brain child of Jeremiah James Gonzales , challenges expectations , assumptions or cliches with his multi-instrumental applications and lyrical depth. The works of Redder Moon encompass the motif of sound not only being a sensory experience but the extension of a fiercely creative mind with magnificent precision in executing vision . In the historical memory, a combination of sub-genres bloomed, inspired by the innovative 80s electronic movement. These genres incorporated experimental concepts, political ideologies , themes ranging from macabre tales, romance to ambient arrangements powered by new technologies.

Never before seen production concepts bridging the gap between acoustic instrumentation and analog soundscapes. This combination of innovation brought fourth a new era of 21st century possibilities . Redder Moon and their contemporaries rise from the fertile ground of their 80s predecessors , setting fourth the new pillars of succession. When witnessing Redder Moon during performance , the passion for the craft and the art of creation fills the hunger of the mind and soul of those looking for something more. Spiral takes a trip into the Redder Moon experience.

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Q&A W / Jeremiah James Gonzales , of Redder Moon

Who are you , Where are you from?

JG: I am Jeremiah James Gonzales currently based in Kansas City, Missouri and beyond.

 What made you decide to become a musician/artist?

JG: I knew from the tender young age of 5 that I had a deep connection to music.

I'm not sure where it came from or who got me started, it just always felt like my natural language.

What is the history behind your artist name?

JG: The connection to the timeless sounds I strive to create are Redder than the blood within us all and The constant moon in our lives. Coming from the idea of a familiar world seen through a darker filter. Everything feels more intense, emotional and strange.

Yet somehow familiar and with a feeling of "Mono No Aware" which is the profound Japanese aesthetic concept meaning "the pathos of things" or sensitivity to ephemera, capturing the gentle sadness and wistful appreciation for the transient beauty and impermanence of life.

It's not about shock or darkness for its own sake, it's about the looming emotional shifts that happen to each of us in a different shade. And the connection between us all.

When did you begin making music and how has your process changed between the start of vs now?

JG: I had my first band at age 14. Needless to say, a lot has changed. But this is definitely the pinnacle of my music career as it has been built thus far.

What made you decide to learn your instrument(s)?

JG: I think it's always been about the need to express myself in a way that my entire body could resonate with.

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What inspired you to write your catalog?

JG: There have been many reasons over the years, but most recently with this project, it's been about expressing much more than just "cool sounding music" or "darkness for darkness sake".

There's A profound power embedded in music. It can do many things to, and for, those who wield its magic. For me, it's about giving to others an avenue of insight and togetherness even in the darkness of our finite and short existence.

What would you say to other artists or creatives who are wanting to create as well?

JG: The only thing that matters is if it makes you happy or fulfilled in whatever way or mode you desire. All else the sea.

How has the process been creating your album?

JG: This is cliche, but I'm finally within my life's purpose with this one.

What are you looking forward to with your album/track?

JG: I look forward to making more and sharing more. Once they are out, they are out.

Lyrically what have been your favorite tracks in your discography and your most recent releases?

JG: The songs that recently most resonate with me are " No One Lives Forever" and "In Darkest Night"

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What is one track /lyrics/ piece of art in your catalog that describes your work the best?

JG: The track "Someones Going To Cry"

What is your most recent tour you’d like to share or what has been your favorite so far?

JG: We most recently visited Texas Dallas for NYE with our friends Rosegarden Funeral Party and NITE, then Austin for the second time and then Houston for the first time. I really loved seeing Houston, it's a place I've always wanted to visit and it did not disappoint.

Coke or Pepsi?

JG: COKE

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If you could make a dream tour, Who would be your dream tour mates?

JG: I'd really love to tour with The Cure if ever given the opportunity :)

What do you want the listeners to know about your music and your project?

JC: We do not do this primarily for mindless self indulgence. But it's ok if that's where your moon is. I plan on touring as much as humanly possible this year in spite of the horrible things going on in our current timeline and state of society.

Most times my family member Sergio will be with me on bass, but sometimes I'll be solo, and other times I'll have a handpicked fill-in bass player. But you will always get my ALL, wherever I go 🖤🌹🐍 You can find the tour schedule on the instagram page.

We also have a full LP on vinyl which is available on our bandcamp page or at live shows only. Any support is much appreciated in keeping us on the road to share our soundwaves. Sincerely e con mucho gusto, Jeremiah James Gonzales